Mary and Mrs. Claus

I woke up this morning in the dark, a deep, deepening dark. For a fraction of an instant I wondered. Will this darkness end? Will it ever be light again? Is it true that I (along with the rest of the hemisphere) am poised to swing back on a grand arc of time toward the sun? Or might this darkness engulf me in an eternal night?

The dark is pregnant with possibilities.
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Many tell the Christmas story, and many of those tellings focus on the Christ child. He was conceived. He was carried. He is born. He lives, a divine Presence, with us.

Nevertheless, hidden within all those passive verbal constructions following his name is the one without whom he wouldn’t have happened: Mary.

For me, the Christmas story is about Mary.

Mary conceives. Whether you translate virgin as “young maiden” or “without sex,” the thrust of the story is the same. Young Mary needed no other human person to begin her journey into motherhood. The mother matter was between her and god, a purely personal relationship: god is with her, in her full bodily self, and she opens to say yes. Yes to desire. Yes to her self. My soul doth magnify the lord. Her innermost sensory self is where god will be grown.

Mary carries. In saying yes to her god-self, she says yes to entering the darkness. She is pregnant for the first time. She is not wed. The outcomes are far from clear. Will she live? Will her bodily self know what to do? Will her baby live? Will she be shunned into eternal night? Or embraced by the arms of welcoming kin? How could her sparkling yes not be shrouded with fear, doubt, despair, and loneliness?

Only Joseph is with her as they set out together for Bethlehem, leaving behind hearth and home, riding for miles, for hours, for days, nine months pregnant, on the back of a donkey. What sustains her through the taxing physical, emotional, spiritual ordeal?

Jesus, of course, moves in the darkness too, but his is a warm uterine wrap. He is along for a rhythmic ride, waiting for the waves of her contractions to wash him onto the sands of an air-born world. In her dark night, it is his movement within her that comforts her. He is alive. She can feel it. She has reason to believe.

Mary gives birth. She is waiting in a stable, dark and cold. Joseph is there, but what does he know about birth? What does she know? A sweet smell of coarse hay mixes with animal breath.

There, Mary labors. Wave after wave, she slowly opens to release the life in her. She gives birth to a curled infant, unbelievably small, who, however cry-free he may be, is helpless. He is completely dependent on her. She is the one who holds him, warms him, wipes him, and feeds him rich milk from her body.

He is present with her—and with us—because of what her body knows. She creates patterns of sensing and responding in relation to him that let him live, with her, with us.
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The birth we celebrate at Christmas is more than a beginning. It is the end of a long journey in which Mary gives birth to herself as a birth-giver. She is the one who opens in the darkness, to the darkness, willing to conceive (of) a light that would not appear for months to come. She is the one who carries it as it quickens, and brings it forth, as a new life beginning. She is the one whose bodily movements enable him to live.

The movements she makes in conceiving, carrying, and birthing make her into someone who can and does participate consciously in the rhythms of her bodily becoming.

He is with us because of what her body knows.
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There are times in all of our lives when darkness threatens to engulf us. Whether it is fear or anxiety, depression or despair, we wonder whether the light will ever return, or whether indeed, we will be dwell forever in eternal night.

It is to such moments that the Christmas story speaks. For we remember Mary. We remember her, in her bodily self, opening to sense and receive the quickening of new life in her.

With Mary, we affirm the creative power of our own bodily selves—a power to open to the movement of the divine in us, that is continuing to create and become, despite the darkness that overwhelms. When we open to this power, we will find the arms that embrace us, the relationships that sustain us, the Presence of light with us.

For our bodily selves were pulled into existence by the rhythm of light and dark, day and night, that enables all things to grow. As long as we breathe and beat and wake, that rhythm is alive in us. We can cultivate a sensory awareness of it, opening to receive the movements that are making us. We so participate in bringing into being a world we love that loves us.

The American dancer, Ruth St. Denis, wrote a poem called “Eternal Mary.” The last stanza is this: “We are all Mary/ Waiting to conceive/ And bear the Christ Child.”

This, for me, is the meaning of Christmas.
*
How did the story of a young woman delivering Presence morph into a tale about an old man delivering presents? It is a topic for another day.

Still, I wonder. Whose sack is it from which he pulls his gifts? Who remembers which child got which gift from year to year? Who gave him directions?

I suspect that if we want the full story, we will have to ask Mrs. Claus.

Parenting, Writing, Blogging, and other Radical Acts

I just can’t do this!! The thought blasts through my brain at least once each day in those hours before Geoff comes home. It’s my fault, for sure. There is so much I want to do, so much I have to do, and so much being asked of me moment to moment by the four of our kids I agreed to home school this year that I go through the day feeling like I have one foot on the accelerator and the other on the brake. I lurch and buck and careen, and yes, sometimes crash.

This arrangement seemed like a good idea at first. I have an infant. My 12 and 8 year-old daughters, Jessica and Kyra, were begging to learn at their own home-spun pace. I would do my work in the cracks, around the edges, and after Geoff and our 14 year-old arrive home; 4 year old Kai would come along for the ride.

As for the reality: I’ll be discussing the "Declaration of Independence" with Jessica, interjecting asides to Kyra on short cuts for multiplying nines, while trying to nurse and nap infant Leif, when Kai demands, with every amp of his ample wattage: SOMEBODY PLAY WITH ME NOW! At least I am sitting down.

If all the pieces of the mighty puzzle line up and I manage to write down a thought, it is highly unlikely that I will succeed in placing a second before someone wakes up, gets hungry, has a question, or needs a wipe. By our 3:30 hand-off, my work is curdled into an icky pit in my stomach. It wants out. I want out, now!

It is confusing. All of our best decisions have landed me here. How come it is so hard?
*
Michael Chabon and Ayelet Waldman are in the news again, this time with his contribution to the burgeoning genre of Parenting Lit. In twin memoirs (hers appeared in the spring), this team of mom and pop writers tell tales of what they are learning from life with their four children, ages 14, 12, 8, and 6. At back to back desks, they weave the personal and the public, family and work, coupling and parenting into vibrant texts, written and lived.

Reading about their life, a pang of recognition hits: Geoff and I are making similar moves. We aim to co-parent and co-create, side by side reinventing family life, though in rural New York rather than Berkeley, California. We moved here to create a way of living, of being family, that works for us, for our kids, for him, for me, where each person receives what he or she needs to become who he or she is. So why does their situation sound so idyllic?

The stories of Michael and Ayelet remind me: though I may feel like I am alone in the trenches, I am not. A veritable rash of writers, male and female, are sharing their kid-funded knowledge in books and blogs to a chorus of critics and congratulators. So what of it?
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I ponder the question as I spread peanut butter on home-made bread for a hungry Kai. Last week’s news offers a key. In addition to reviews of Chabon’s book, we have been feasting on reports about how much has changed in family life since the 1970s. Marriage is at an all time low; single moms and stay at home dads at all time highs. More parents cross the chasm between workplace and home than ever before, while childhood stretches towards twenty and beyond.

While the realities are shifting dramatically, however, it is also evident that the ideals shading family life are not so quick to turn. We are still contending with visions of the good mother and providing father, as well as those of passionate life-long love and a happy childhood, that loom over us as critic and judge.

Wiping the counter for the third time in an hour, I think back to Tuesday's article on toxic parents as a case in point. As the author writes, “whining about parental failure, real or not, is practically an American pastime that keeps the therapeutic community dutifully employed.” In the deluge of responses the article produced, a pattern emerged of kids protesting narcissistic parents and parents complaining about ungrateful kids. Lurking in the shadows was an ideal of parenting that hardly anyone seems able to attain. Why?

In the light of these reports, the significance of Parent Lit appears. We, as a culture, are in the process of reinventing family life. That reinventing is happening household by household, and reading and writing about such experiments is helpful and necessary, though not without its dangers.

Hearing stories about how other parents tackle inherited expectations of rearing and raising reminds us that there are options. We have options, and we are not alone in wanting to find them. Ways of being family that worked for someone at sometime in some context may not work now for me or for you. I write to find my freedom.

Sharing stories is also necessary, given the nature of the change. We are exiting an era in which cultural authorities did not pay much attention to children as having anything to offer discussions of who they should be and become. Such reflections were the provenance of experts wielding scientific tools over and against nubile bodies. Stories remind us that we have something to learn from (our) children about how best to relate to them. I write to remember the creativity involved in creating relationships.

Writing about experiences is also dangerous for we run the risk of suggesting that one size fits all. There is a temptation to celebrate sentimentally our kids’ eternal cuteness, and another to wax nostalgic for childhoods lost. When changes breed fear and doubt, we tend to cling to the way things were. Sides polarize and we forget what anyone who cares enough to engage in these discussions shares: desire. We share a desire to do the best for our children, for each other, for ourselves, and, for the worlds in which we live. I write to find the wisdom in my desire.

Reading and writing, we learn to trust our dissatisfaction as teaching us how to move in ways that will not recreate the pain we feel. I write to discern what it is my body knows.
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Yesterday morning I lost it. I was shredded to a pulp by competing pulls on my attention. During precious writing time, I return to the scene. What do I find? It’s the ghost of the good mother, haunting me: It is your job to meet your children’s needs. This all-too familiar noose of a notion strangles me. I erupt in anger when I can’t, furious with myself. Furious with them.

Of course, I know theoretically that I cannot meet my children’s needs. Even if I had only one child, I would not be able to meet his or her every need. But still, I want to. Why? Because I want to be a good mother! But is that what being a good mother means? It’s what I have learned to believe.

The tip of my pen draws out the hook. If I am to slip free of this need to meet my children’s needs, I have to let go of a lingering expectation that my parents should meet mine. They can’t. They don't exist to meet my needs.

I reflect back again on the blog complaints of narcissistic parents and ungrateful kids and see two sides of the same ideal that is haunting me. To the parent caught up in needing to meet needs, the frustrated child appears as a living, breathing reminder that the parent has failed. To the kid encouraged to believe in this ideal, the defensive parent appears as an obstacle to happiness. When the frustrated parent (inevitably) lashes out at the (unhappy) child, the child complains (rightfully) of abuse. A cycle of escalating disappointment (and sometimes horrific violence) sinks its teeth into the relationship and shakes. What do we want to create?

I return to the place of my pain and affirm the desire at its core. I want to meet my children’s needs. A new move appears. I want to meet their needs because I want them to have what they need to become who they are. The pain releases; another impulse appears. I write it down. I want to help my children learn to meet their own needs, and to do so, in part, it is my job to demonstrate to them how I meet my own.
*
Today is different. I make new moves. Leif falls asleep in my lap. I lay him on the couch and turn to the older three. Recess everyone! They run outside into the bright fall air to invent some game involving horses, harnesses, and humans.

I sit at my desk and begin to write. My heart fills with gratitude. I adore my kids. They are teaching me how.

Cucumbers in a Cup

It is an interesting time of year to be nine months pregnant. I am heavy with new life. So is the earth. Everywhere I turn, surfaces I see are sticking out, popping up, swelling forth. So is my belly.

The skin of my abdomen is taut and hard, yet yields to the touch and moves on its own accord, rocked by internal rhythms of its own beating and breathing. Dandelions poke. Violets unfold. Iris blades pierce the air.

The shell of winter is cracking, crumbling, shifting, and rearranging its pieces. Something else is coming forward in shape and shade, opening and being opened, seeing and being seen by the light of the sun. The bumps have different sizes—knee or hand, back or elbow.

Even so, as revelations shout forth, the mystery of it all only increases. I can no longer see the ground for the greening grass. Silvery leaves block my view of branches, bark, and the arc of a hill. What was so clear and reassuringly bare in winter recedes behind layers into depths.

Nor can I see what will become of what is appearing to me. I can see the life force in stems and petals, exposed and expressed. I can feel the pulse animating vessels and veins. I bear witness to beauty unfolding.

But what will happen to all these seeds? What will the story of each one be? Will it bend in the breeze or break with the snap of a dry twig? Will it unfurl in all its resplendence or disappear into the mouth of a bug? And what about the latest leaf on the LaMothe/Gee family tree—what will its story be?

Each bump and bang, each movement given, deepens the mystery. At this very moment I may know as much as I will ever know about this life inside of me.


The tomato seeds we planted a few weeks ago are now sprouts, some of them six inches tall. Following the directions, we put three seeds to a cup, prepared to “thin” the seedlings as needed. But thin is a devious word—a euphemism for kill. I find it devastating. Seeds that worked so hard to rupture their skins, emit roots, and reach for the sun must be mercilessly plucked by some hand of fate—mine—and left to die.

At first I waited. I just couldn’t face up to the task of playing eternal judge. I know it is good for the plants that remain to have a cup to themselves. Still. The plucked ones smell so good, so green, so worthy.

Then, as some plants grew faster than the others, the task seemed easier. For here was a clear reason, a definitive principle to apply: sacrifice the smaller. I am still stymied, however, when the plants are the same size. How do I separate twins? Each one has an equal claim. I just want to transplant one of them to another cup.
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It is a time of life, and a time of death. We know two people who have died in the past week: the ever-glowing mother of childhood friends, plucked by cancer. The twenty-two year old brother of friend, broken by a motorcycle accident. Life cut off too early.

What will my story be? What will the story of my children be?
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This child will be my fifth, and I still don’t know what it means to be a mother. With every birth, the answer seems farther away.

I moved here to the farm to be a mother, or so it seems. I was nine months pregnant, again. I was also here to be a dancer and a philosopher, and to create a way of living that would allow me to weave these three threads of my life so as to think thoughts differently, and think different thoughts.

One thing I had learned during my tenure in the academic world was to look for what was hidden by reason’s clearest revelations. So many tomes of western philosophy and theology—including my favorite books—were written by middle-class white men, educated and often single, cared for by mothers, sisters, servants, and sometimes wives, largely left alone to write. Their tracings of human experience can be luminous in shape and shade, expressing and exposing vital currents of life full and formed.

Even so, I found that each revelation deepened the mystery: how did this life become what it is? How did these thoughts emerge? Where were the wombs?

I wanted to write about this becoming—the bodily becoming that happens as a helpless infant unfolds into a thinking/feeling adult and learns to love. I wanted to hold our western traditions accountable to the rhythms of nurturing life.

I wanted to be a mother—to participate consciously in the process of bodies becoming who they are—and to allow this action to pull my thinking and dancing into new shapes and shades, new stories about what is possible. I wanted to be a mother in order to be a better philosopher—to expose and express what bodies know.

So we moved. So I wrote. Perhaps it should not surprise me. By accident and coincidence, it turns out that my first television interview about What a Body Knows will air on Mother’s Day. When I am nine months pregnant. Of course.
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I still haven’t thinned the tomato twins. I know I am going to have the same problem too, in another week or so, with the cucumbers. We planted cucumber seeds in cups to celebrate Eostre—the dawning of desire, its rupture into yearning, and the hard work and patience needed to tend its fruition. We planted two seeds to a cup. Each is growing. How am I to choose which should live and which should die? Who am I to write the sentence that spells life or death?

I am going to get some more cups.